poetry | photography | philosophy
The eyes cannot see numbers or letters of the alphabet, only their glyphs. A 1-bit image would do away with sub-pixels and interpolation. There are no gradients in the pixel. The world can be reduced to numbers, quanta, but Man cannot see these, only understand them. And Man needs the machine to rerender the…
Read More
A bottle is not a bench. Happiness is not sadness. A bottle cannot be extracted out of the viscera of a bench. Happiness, though, is teased out of sadness itself. All this goes to show that there is a distinction between being and cognition. But is there? Being and cognition are both modes of Time.…
Read More
Hearing is vision, othered. At some point in history, increasing image resolution started to only have an effect on film, leaving negligible obvious impact on photography. That is tantamount to saying that with the tremendous increase in image resolution evinced in the last decade or so, perceived motion happened to have been affected more drastically…
Read More
The originary is the origin. There is nothing beyond the origin. Place yourself at a desk facing an open window. Put blank paper in front of you and take hold of a pencil. Start drawing the scene appearing outside the open window that is facing you. Set yourself an infinite amount of time to complete…
Read More
Engaging analogue photography in the world, not in a laboratory, is engaging modelling, specifically statistical modelling. Obviously chemistry and chemical reactions are other ways of engaging analogue photography. The pixel is a generalisation of the silver halide crystal. While digital photography can be – and, seemingly, is mostly – engaged in the world, that world…
Read More
‘The photographic’ is the nothing. ‘The photographic’ is a metaphor. ‘The photographic’ is a metaphor for our love just as it is also a metaphor for the greenness of the trees. All ‘the photographic’ can teach us is that that’s how it is. Together we reached the door to the origin and now we must…
Read More
The photograph is the result of light painting itself. The painting is the action of the hand showing. In the former case, there is no translation involved in beholding the objet d’art: light paints itself on the photographic film/sensor and the result is seen by the eyes which function through the transmission of the same…
Read More
It is common knowledge that the relationship analogue photography has with light is different from the relationship digital photography has with light. In the former case, the relationship with light is non-arbitrary; in the latter case, the relationship with light is arbitrary. Can we use this perceived relational difference these two types of photography have…
Read More
I stand still at the end of an empty street. Looking down the street, I observe the street lamps growing smaller as they recede into the distance. Identical street lamps simply do not grow smaller as they recede into the distance. I merely have to approach each one in turn to verify that indeed they…
Read More
Wikipedia tells us that vector graphics are “computer graphics images that are defined in terms of 2D points, which are connected by lines and curves to form polygons and other shapes. Each of these points has a definite position on the x- and y-axis of the work plane and determines the direction of the path; further, each path may have various properties…
Read More