poetry | photography | philosophy
The eyes cannot see numbers or letters of the alphabet, only their glyphs. A 1-bit image would do away with sub-pixels and interpolation. There are no gradients in the pixel. The world can be reduced to numbers, quanta, but Man cannot see these, only understand them. And Man needs the machine to rerender the…
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Nothing is done automatically through photography. Good photographs differentiate themselves from all the rest of any other sort principally by being informative – interesting: not boring. It is difficult (if not downright impossible) to take a bad photograph seeing all means are provided, and all means function (quasi-?) automatically. (And in the quagmire of uninformative…
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Who are you? Marco. What are you? I am… Having to state its case, Dasein would not make recourse to being, or assume being, to explain its being… Who/what are you? (simply) Dasein. Dasein is simultaneously identity and substance. Dasein’s concern with its being is concern about that seemingly non-deferrable concern about seemingly needing to…
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Perception utters, “It must be because it is what it is!” Memory replies, “It must be because it was what it was, and what was was, hence is.” Put the onus on memory, and memory cannot see. Put the onus on perception, and perception cannot know. Perception utters, “It is so because what is cannot…
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Man does not seek knowledge; he covers it. For the Ancient Greeks, the gods were not to be questioned. Later, the Christians would adopt the convenient ethical stance of refraining from questioning themselves. With the advent of photography, reality was not to be questioned further. The contradictory dogmas that attached themselves to each of these…
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The photograph is the result of light painting itself. The painting is the action of the hand showing. In the former case, there is no translation involved in beholding the objet d’art: light paints itself on the photographic film/sensor and the result is seen by the eyes which function through the transmission of the same…
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Analogue and digital photography both rely on a vital input: light. In analogue photography, the information we call light is analogous to the atomic structure resting on the exposed photographic film. In digital photography, the information we call light is measured for its intensity in the form of digits and those digits are then assigned…
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The prima materia of perception is not the world. The prima materia of perception is memory. As our eyes linger on the object of their gaze, the memory gives way to what is really being seen. The eyes do not travel; they travel with the body. Charles Sanders Peirce established a trichotomy of signs, which Silverstein explains thus: “the…
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