poetry | photography | philosophy
The photograph obtained through the analogue photography apparatus is an abstraction. The photograph obtained through the digital photography apparatus is a further abstraction. Realities (in this case, digital), such as social media, aim at reinserting these abstractions into a space-time continuum, which is yet another abstraction. (The digital, just like the physical snapshot photo album…
Read More
Any thing is extended out there. Only the mind cannot extend itself out there (even though it seems to us that all our thoughts are extended, and reach and cover the totality of reality). The mind is a useless construct. Useless… unless we relocate it within its original and proper domain: Memory. The mind is…
Read More
The photograph has no time. Paintings are in Time as extended by labor. The photograph has no time. It makes sense, therefore, to say that Being is or has time as long as it is lost within the time of Memory, a time indefinitely prolonged by making itself indicate nothing other than itself, that is,…
Read More
Hearing is vision, othered. At some point in history, increasing image resolution started to only have an effect on film, leaving negligible obvious impact on photography. That is tantamount to saying that with the tremendous increase in image resolution evinced in the last decade or so, perceived motion happened to have been affected more drastically…
Read More
Engaging analogue photography in the world, not in a laboratory, is engaging modelling, specifically statistical modelling. Obviously chemistry and chemical reactions are other ways of engaging analogue photography. The pixel is a generalisation of the silver halide crystal. While digital photography can be – and, seemingly, is mostly – engaged in the world, that world…
Read More
Analogue and digital photography both rely on a vital input: light. In analogue photography, the information we call light is analogous to the atomic structure resting on the exposed photographic film. In digital photography, the information we call light is measured for its intensity in the form of digits and those digits are then assigned…
Read More
It is common knowledge that the relationship analogue photography has with light is different from the relationship digital photography has with light. In the former case, the relationship with light is non-arbitrary; in the latter case, the relationship with light is arbitrary. Can we use this perceived relational difference these two types of photography have…
Read More
I stand still at the end of an empty street. Looking down the street, I observe the street lamps growing smaller as they recede into the distance. Identical street lamps simply do not grow smaller as they recede into the distance. I merely have to approach each one in turn to verify that indeed they…
Read More
Heraclitus is said to have said that “you cannot step into the same river twice” (PLATO 1997: 120). For brevity’s sake, let us assume that that statement that is said to have been said by Heraclitus is sensical and refers to a verifiable perceptual phenomenon that when experienced makes everything come to be perceived as…
Read More