poetry | photography | philosophy
The desire of Alterity is nothing other than the desire of another Being, which is nothing other than the desire of Alterity itself. The desire of Being is nothing other than the desire of Alterity which is nothing other than the desire of another Being which is nothing other than the desire of Alterity itself.…
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Science defines a photograph. All science does is define a photograph. To dissect, to analyse, to investigate, to examine, to inspect, to study… actions all done in order to check whether reality is real, whether reality persists. What then, we should ask, is the difference between these actions and the act of remembering? Is there…
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Prior to the modern movement in the visual arts, painting was an exercise in incomplete realism. Painters had already disavowed that which would interest Heidegger and that which Heidegger would go on to question. Their painterly exercises in incomplete realism, though, attest to the fact that painters, seemingly not interested in philosophy, had through the…
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Analogue and digital photography both rely on a vital input: light. In analogue photography, the information we call light is analogous to the atomic structure resting on the exposed photographic film. In digital photography, the information we call light is measured for its intensity in the form of digits and those digits are then assigned…
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The Other irks perception; perception cannot withstand otherness. The Other is a thorn in the side of perception. The world is first seen. The perturbation, the anomaly, is an Other mindlessly perceived, the Other impinging upon perception. The world is first seen. Everything approaches Dasein from a future; all beings hold a futurity in perception.…
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The photographic is the illusion of depth. Depth conveys to any image the illusion of the real. Depth extends into motion, which are both ultimately conventions that retain their respective dynamics through the simple positioning of body (or image of body) within the more global image we call the world. If this triad, depth, motion,…
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The filmic is the illusion of the photographic. The filmic actuates the illusion of the photographic through motion. Thus the world is reduced to a static image commonly known as a photograph. Hearing, smelling, tasting and touch are then mental images emanating from other mental images, namely, singularly, the world. Embodiment does not successfully contradict…
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