poetry | photography | philosophy
Both memory and the act of remembering originate in mindfulness. To be mindful is to have knowledge, but also to take care. A memory is a memory of and to remember is to remember because… Therefore, if memory is equated with knowledge, neigh, if memory is indistinguishable from knowledge, the contents of memory can be…
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The photograph is the result of light painting itself. The painting is the action of the hand showing. In the former case, there is no translation involved in beholding the objet d’art: light paints itself on the photographic film/sensor and the result is seen by the eyes which function through the transmission of the same…
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Analogue and digital photography both rely on a vital input: light. In analogue photography, the information we call light is analogous to the atomic structure resting on the exposed photographic film. In digital photography, the information we call light is measured for its intensity in the form of digits and those digits are then assigned…
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The subjective is subject to the Subject who as Subject stands in subjection to an other, namely the subject. The subjected action of subjection emanating from the subject acts upon me as Subject and subjects me. Intentions are knowable a posteriori. The subject subjected as Subject is hence object to the Other. The object is…
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The prima materia of perception is not the world. The prima materia of perception is memory. As our eyes linger on the object of their gaze, the memory gives way to what is really being seen. The eyes do not travel; they travel with the body. Charles Sanders Peirce established a trichotomy of signs, which Silverstein explains thus: “the…
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Heraclitus is said to have said that “you cannot step into the same river twice” (PLATO 1997: 120). For brevity’s sake, let us assume that that statement that is said to have been said by Heraclitus is sensical and refers to a verifiable perceptual phenomenon that when experienced makes everything come to be perceived as…
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