All over a spark

The originary is the origin. There is nothing beyond the origin. Place yourself at a desk facing an open window. Put blank paper in front of you and take hold of a pencil. Start drawing the scene appearing outside the open window that is facing you. Set yourself an infinite amount of time to complete…

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À Dieu, Dasein

Who are you? Marco. What are you? I am…  Having to state its case, Dasein would not make recourse to being, or assume being, to explain its being… Who/what are you? (simply) Dasein. Dasein is simultaneously identity and substance. Dasein’s concern with its being is concern about that seemingly non-deferrable concern about seemingly needing to…

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Tereża 

Without separation, no contact. Separation is the necessary precursor to contact. It is irrelevant whether a painted thing is a being or a non-being. Painting confirms the painted thing as being as such. The lemon is the lemon. There is nothing outside the lemon which is the lemon. Obviously lemons can cease to exist. In…

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Axel’s Island

A memory is no different from a representation. A memory can be indistinguishable from an artefact – a thing done with craft. When the fool looks at the pointing finger, when, that is, we question the very act of remembering, the punctum – the alterity – of the memory strikes. The pointing finger, remembering, points…

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The White Rabbit (Part 3 of 3)

Unto the woman he said, I will greatly multiply thy sorrow and thy conception; in sorrow thou shalt bring forth children; and thy desire shall be to thy husband, and he shall rule over thee. The Holy Bible: Genesis. 3:16 Why is this world the only possibility for alterity? In the light of the day,…

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Addio, teorema

We take a photograph. Or maybe we are still deciding on whether we ought to take the photograph. The subject or event we are in want of photographing, we photograph, or ideate about whether to photograph, because the subject or event we are in want of photographing impinges upon consciousness (sometimes without us paying much…

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Genealogy of ‘the photographic’

Prior to the modern movement in the visual arts, painting was an exercise in incomplete realism. Painters had already disavowed that which would interest Heidegger and that which Heidegger would go on to question. Their painterly exercises in incomplete realism, though, attest to the fact that painters, seemingly not interested in philosophy, had through the…

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If I have been photographed, I am already dead

Reality is a cast; reality is the negative. This is the reason why all our photographs come out looking like positive images. And if reality is the negative, then all our thoughts and dreams now, that we think and dream we thought and dreamt then, are necessarily positive because all we retain from reality is…

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Imago

Analogue and digital photography both rely on a vital input: light. In analogue photography, the information we call light is analogous to the atomic structure resting on the exposed photographic film.  In digital photography, the information we call light is measured for its intensity in the form of digits and those digits are then assigned…

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Everything is in itself

The Other irks perception; perception cannot withstand otherness. The Other is a thorn in the side of perception. The world is first seen. The perturbation, the anomaly, is an Other mindlessly perceived, the Other impinging upon perception. The world is first seen. Everything approaches Dasein from a future; all beings hold a futurity in perception.…

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