Genealogy of ‘the photographic’

Prior to the modern movement in the visual arts, painting was an exercise in incomplete realism. Painters had already disavowed that which would interest Heidegger and that which Heidegger would go on to question. Their painterly exercises in incomplete realism, though, attest to the fact that painters, seemingly not interested in philosophy, had through the…

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Thrownness, thrown

As corroborated by the Book of Genesis, the notion of poverty came to be the day Dasein felt the need to manifest its realness to itself, that is to say that poverty defined itself as such on the very day Dasein appeared to itself as Dasein. First problem experienced: If Man exists, it’s his problem.…

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If

“Dasein is ontically distinctive in that it is ontological” (HEIDEGGER, 1962:32). The ontico-ontological dimension of Dasein refutes ontology. Being cannot be ontological. The being of beings, Being(,) in itself(,) catches sight of everything outside itself. Dasein realizes that everything about itself is contained within itself – DNA. It is then a willful decision of Dasein…

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Atomised

It is common knowledge that the relationship analogue photography has with light is different from the relationship digital photography has with light. In the former case, the relationship with light is non-arbitrary; in the latter case, the relationship with light is arbitrary. Can we use this perceived relational difference these two types of photography have…

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