Viva

The subjective is subject to the Subject who as Subject stands in subjection to an other, namely the subject. The subjected action of subjection emanating from the subject acts upon me as Subject and subjects me. Intentions are knowable a posteriori. The subject subjected as Subject is hence object to the Other. The object is…

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Everything is in itself

The Other irks perception; perception cannot withstand otherness. The Other is a thorn in the side of perception. The world is first seen. The perturbation, the anomaly, is an Other mindlessly perceived, the Other impinging upon perception. The world is first seen. Everything approaches Dasein from a future; all beings hold a futurity in perception.…

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Andromeda

The photographic is the illusion of depth. Depth conveys to any image the illusion of the real. Depth extends into motion, which are both ultimately conventions that retain their respective dynamics through the simple positioning of body (or image of body) within the more global image we call the world. If this triad, depth, motion,…

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Omega

The filmic is the illusion of the photographic. The filmic actuates the illusion of the photographic through motion. Thus the world is reduced to a static image commonly known as a photograph. Hearing, smelling, tasting and touch are then mental images emanating from other mental images, namely, singularly, the world. Embodiment does not successfully contradict…

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The Crucible

The photographic is the act of recognition. The pictorial is the look that makes us want to (keep on) look(ing). Photographs and paintings can both evince the photographic. A photograph can labour to attain the pictorial. A painting necessarily evinces primarily the pictorial. But is it wholly correct to say that a painting necessarily evinces…

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Curating the Archive

The prima materia of perception is not the world. The prima materia of perception is memory. As our eyes linger on the object of their gaze, the memory gives way to what is really being seen. The eyes do not travel; they travel with the body.  Charles Sanders Peirce established a trichotomy of signs, which Silverstein explains thus: “the…

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A brief history of photography (and painting)

Let us conceptualise in our minds two worlds: a big world and a small world. The small world lies engulfed in the big world. The big world is none other than the world we are embedded in at the moment. The small world, which lies buried deep within the big real world, is somewhat spherical…

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