All over a spark

The originary is the origin. There is nothing beyond the origin. Place yourself at a desk facing an open window. Put blank paper in front of you and take hold of a pencil. Start drawing the scene appearing outside the open window that is facing you. Set yourself an infinite amount of time to complete…

Read More

À Dieu, Dasein

Who are you? Marco. What are you? I am…  Having to state its case, Dasein would not make recourse to being, or assume being, to explain its being… Who/what are you? (simply) Dasein. Dasein is simultaneously identity and substance. Dasein’s concern with its being is concern about that seemingly non-deferrable concern about seemingly needing to…

Read More

Punish me with kisses

You find yourself sitting at your dining table; on the table, various pieces of cutlery. You listlessly push each piece of cutlery over the edge of the dining table and dully watch each piece come crashing to the floor. Now you happen to be in a library. You randomly pick a book; it happens to…

Read More

The White Rabbit (Part 3 of 3)

Unto the woman he said, I will greatly multiply thy sorrow and thy conception; in sorrow thou shalt bring forth children; and thy desire shall be to thy husband, and he shall rule over thee. The Holy Bible: Genesis. 3:16 Why is this world the only possibility for alterity? In the light of the day,…

Read More

The White Rabbit (Part 2 of 3)

Does light have being? We say that the sun emits light. Hence, the sun emits something. A something is a being. But is light a being? It seems wrong to suppose this, even if only in words. What is the difference between Man and a giraffe? Following Heidegger, all we can say is that Man…

Read More

The White Rabbit (Part 1 of 3)

Engaging analogue photography in the world, not in a laboratory, is engaging modelling, specifically statistical modelling.  Obviously chemistry and chemical reactions are other ways of engaging analogue photography. The pixel is a generalisation of the silver halide crystal.  While digital photography can be – and, seemingly, is mostly – engaged in the world, that world…

Read More

The Eyes are the Moons 

Why differentiate between will and free will? The statement “out of my own free will” is a linguistic convention we may make use of; and we may do so, to presuppose (and therefore solidly suppose) the actuality of the linguistic convention “of before origin.” But there is nothing before origin. Therefore, “even if there didn’t…

Read More

I(:) met you

Picture yourself in an art gallery eyeing the mysterious beauty of some post-modern painterly disaster hanging on one of the gallery walls. Conceive now the world you are standing in, the very same world that holds in its bosom those atrocious paintings hanging on the gallery walls, as one unitary painterly mess. Yourself now, as Pantocrator,…

Read More

The Investiture of that Name

Paintings are atemporal; a painting can be painted at any time. History is the history of the photograph. History, then, is the history of colour. Following Runge, white and black are to be treated as colours and not as transparencies. Colour is colourful but must still appear to appear as such. Following Heraclitus very loosely,…

Read More

𝑦=25+2𝑥

Perception utters, “It must be because it is what it is!” Memory replies, “It must be because it was what it was, and what was was, hence is.” Put the onus on memory, and memory cannot see. Put the onus on perception, and perception cannot know.  Perception utters, “It is so because what is cannot…

Read More