poetry | photography | philosophy
Reality is a cast; reality is the negative. This is the reason why all our photographs come out looking like positive images. And if reality is the negative, then all our thoughts and dreams now, that we think and dream we thought and dreamt then, are necessarily positive because all we retain from reality is…
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The Other irks perception; perception cannot withstand otherness. The Other is a thorn in the side of perception. The world is first seen. The perturbation, the anomaly, is an Other mindlessly perceived, the Other impinging upon perception. The world is first seen. Everything approaches Dasein from a future; all beings hold a futurity in perception.…
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Digital photography proclaims that the clasp of history has been broken. The word ‘history’ originated from “Greek historia: “a learning or knowing by inquiry; an account of one’s inquiries, history, record, narrative”” (HARPER 2001-2020). Thus, history was originally understood as being both the learning gained through inquiry and the account or record of that inquiry.…
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The photograph cannot be a record of light, the imprint left by “the chemical response to radiant energy” (ROMER 2005: 1). The photograph is the information we define as light. Romer reminds us that the word ‘photography’ means “writing with light” (Ibid. 1). I would suggest a redefinition of the word ‘photography’, one seemingly asymmetrically…
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We see things from the wrong end. This statement has serious implications for all photography lovers. Imagine a big ship, berthed out at sea. You notice the ship at dusk while looking out from your balcony at home. The lights on the ship are on. There is thick fog in the air. You do not…
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