poetry | photography | philosophy
The photograph obtained through the analogue photography apparatus is an abstraction. The photograph obtained through the digital photography apparatus is a further abstraction. Realities (in this case, digital), such as social media, aim at reinserting these abstractions into a space-time continuum, which is yet another abstraction. (The digital, just like the physical snapshot photo album…
Read More
The desire of Alterity is nothing other than the desire of another Being, which is nothing other than the desire of Alterity itself. The desire of Being is nothing other than the desire of Alterity which is nothing other than the desire of another Being which is nothing other than the desire of Alterity itself.…
Read More
The human eye does not always see in the same way that the photography apparatus sees (here by the term photography apparatus we mean its common iterations, such as film cameras, medium format cameras, DSLR cameras, mirrorless cameras, bridge cameras, compact digital cameras, smartphone cameras, action cameras, etc.). I can be shown an image of…
Read More
Text is the linear continuity of Time. Image is the linear circularity of Time. (Time puts things in order.) Needless to say, one necessarily sees past reality. In the beginning there might have been the Word; in the end there is only an image. Reality is a linguistic contrivance. One retains (takes) an ‘impression’ of…
Read More
A bottle is not a bench. Happiness is not sadness. A bottle cannot be extracted out of the viscera of a bench. Happiness, though, is teased out of sadness itself. All this goes to show that there is a distinction between being and cognition. But is there? Being and cognition are both modes of Time.…
Read More
Picture yourself in an art gallery eyeing the mysterious beauty of some post-modern painterly disaster hanging on one of the gallery walls. Conceive now the world you are standing in, the very same world that holds in its bosom those atrocious paintings hanging on the gallery walls, as one unitary painterly mess. Yourself now, as Pantocrator,…
Read More
Paintings are atemporal; a painting can be painted at any time. History is the history of the photograph. History, then, is the history of colour. Following Runge, white and black are to be treated as colours and not as transparencies. Colour is colourful but must still appear to appear as such. Following Heraclitus very loosely,…
Read More
Science defines a photograph. All science does is define a photograph. To dissect, to analyse, to investigate, to examine, to inspect, to study… actions all done in order to check whether reality is real, whether reality persists. What then, we should ask, is the difference between these actions and the act of remembering? Is there…
Read More
We take a photograph. Or maybe we are still deciding on whether we ought to take the photograph. The subject or event we are in want of photographing, we photograph, or ideate about whether to photograph, because the subject or event we are in want of photographing impinges upon consciousness (sometimes without us paying much…
Read More
The distinctions between beings can only be made in Time. These distinctions create a sense of depth. The ruler and the measuring tape both take a measure of time not space. Why Time? Because it takes time. The only mode of knowledge is language. Language is historical, like Time. To know, that is, to tease…
Read More