The Sea is a State

The photograph obtained through the analogue photography apparatus is an abstraction.  The photograph obtained through the digital photography apparatus is a further abstraction.  Realities (in this case, digital), such as social media, aim at reinserting these abstractions into a space-time continuum, which is yet another abstraction. (The digital, just like the physical snapshot photo album…

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Umano, troppo umano, ovvero la nascita dell’amore: una nuova fotografia

I am silver and exact. I have no preconceptions.Whatever I see I swallow immediatelyJust as it is, unmisted by love or dislike.I am not cruel, only truthful‚The eye of a little god, four-cornered. Sylvia Plath, ‘Mirror’ (Plath 1-5) Ontology is merely the symptom. Alterity holds no sway over visual perception. The eyes strip the otherwise…

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Thrownness, thrown

As corroborated by the Book of Genesis, the notion of poverty came to be the day Dasein felt the need to manifest its realness to itself, that is to say that poverty defined itself as such on the very day Dasein appeared to itself as Dasein. First problem experienced: If Man exists, it’s his problem.…

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Imago

Analogue and digital photography both rely on a vital input: light. In analogue photography, the information we call light is analogous to the atomic structure resting on the exposed photographic film.  In digital photography, the information we call light is measured for its intensity in the form of digits and those digits are then assigned…

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Everything is in itself

The Other irks perception; perception cannot withstand otherness. The Other is a thorn in the side of perception. The world is first seen. The perturbation, the anomaly, is an Other mindlessly perceived, the Other impinging upon perception. The world is first seen. Everything approaches Dasein from a future; all beings hold a futurity in perception.…

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Atomised

It is common knowledge that the relationship analogue photography has with light is different from the relationship digital photography has with light. In the former case, the relationship with light is non-arbitrary; in the latter case, the relationship with light is arbitrary. Can we use this perceived relational difference these two types of photography have…

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