linguistic – Marco Montalto

Ego sum, Ego existo

The human eye does not always see in the same way that the photography apparatus sees (here by the term photography apparatus we mean its common iterations, such as film cameras, medium format cameras, DSLR cameras, mirrorless cameras, bridge cameras, compact digital cameras, smartphone cameras, action cameras, etc.). I can be shown an image of…

Promise

Text is the linear continuity of Time. Image is the linear circularity of Time. (Time puts things in order.) Needless to say, one necessarily sees past reality. In the beginning there might have been the Word; in the end there is only an image. Reality is a linguistic contrivance. One retains (takes) an ‘impression’ of…

The Eyes are the Moons

By: montaltomarco February 14, 2022March 24, 2023

Blogalterity, copy, free will, language, linguistic, love, origin, photography, representation, the photographic, will, word, worldLeave a Comment

Why differentiate between will and free will? The statement “out of my own free will” is a linguistic convention we may make use of; and we may do so, to presuppose (and therefore solidly suppose) the actuality of the linguistic convention “of before origin.” But there is nothing before origin. Therefore, “even if there didn’t…

say goodbye, say hello

The number zero is the only true invention. The human, the inventor of the number zero, happens to be a creature (but is not necessarily the sole creature) that can understand the concept of the number zero and its most direct offspring: the ratio scale. With the advent of this remarkable invention, everything could be…

Andromeda

The photographic is the illusion of depth. Depth conveys to any image the illusion of the real. Depth extends into motion, which are both ultimately conventions that retain their respective dynamics through the simple positioning of body (or image of body) within the more global image we call the world. If this triad, depth, motion,…

Atomised

It is common knowledge that the relationship analogue photography has with light is different from the relationship digital photography has with light. In the former case, the relationship with light is non-arbitrary; in the latter case, the relationship with light is arbitrary. Can we use this perceived relational difference these two types of photography have…