Defining ‘the photographic’

Vermeer was a painter. He painted photographs. This is to say that ‘the photographic’ has been with us for a very long time, at least since the happy discovery of daubing paint on walls and stuff.  Paintings evince ‘the photographic’; but ‘the photographic’ could have only become known and identified as such with the invention…

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On pain and how to photograph it

Let us start by postulating that pain is staged. Such a postulation would make pain somewhat irreal, a game even. But we know that when we feel pain, we feel its pangs genuinely enough. In experiencing pain, we do not sense anything irreal about it, let alone do we consider that it might all be…

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A Proposition

Perception and semantics are way too obvious and boring; so we will skip those two levels and start our discussion straight from the level of memory. The etymological dictionary gives the following entry for the verb ‘remember’: “mid-14c., remembren, “keep (something or someone) in mind, retain in the memory,” from Old French remembrer “remember, recall,…

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