love – Marco Montalto

Ego sum, Ego existo

The human eye does not always see in the same way that the photography apparatus sees (here by the term photography apparatus we mean its common iterations, such as film cameras, medium format cameras, DSLR cameras, mirrorless cameras, bridge cameras, compact digital cameras, smartphone cameras, action cameras, etc.). I can be shown an image of…

Cadentia

Time is rapture. Anything that happens in Time, falls out of Time. Literally. Being is Time. Anything that is, falls out of Being, and is. Quite literally. In time, everything comes to be. What is the rupture that causes the rupture? Love. The “struggle between human being and apparatuses” (FLUSSER 2000: 75) is the struggle…

The White Rabbit (Part 3 of 3)

Unto the woman he said, I will greatly multiply thy sorrow and thy conception; in sorrow thou shalt bring forth children; and thy desire shall be to thy husband, and he shall rule over thee. The Holy Bible: Genesis. 3:16 Why is this world the only possibility for alterity? In the light of the day,…

The Eyes are the Moons

By: montaltomarco February 14, 2022March 24, 2023

Blogalterity, copy, free will, language, linguistic, love, origin, photography, representation, the photographic, will, word, worldLeave a Comment

Why differentiate between will and free will? The statement “out of my own free will” is a linguistic convention we may make use of; and we may do so, to presuppose (and therefore solidly suppose) the actuality of the linguistic convention “of before origin.” But there is nothing before origin. Therefore, “even if there didn’t…

All Dead Things

By: montaltomarco July 14, 2021July 14, 2021

Bloglove, metaphor, nothing, origin, painting, photograph, pixel, real, reality, the photographicLeave a Comment

‘The photographic’ is the nothing. ‘The photographic’ is a metaphor. ‘The photographic’ is a metaphor for our love just as it is also a metaphor for the greenness of the trees. All ‘the photographic’ can teach us is that that’s how it is. Together we reached the door to the origin and now we must…

Andromeda

The photographic is the illusion of depth. Depth conveys to any image the illusion of the real. Depth extends into motion, which are both ultimately conventions that retain their respective dynamics through the simple positioning of body (or image of body) within the more global image we call the world. If this triad, depth, motion,…