the real – Marco Montalto

Ego sum, Ego existo

The human eye does not always see in the same way that the photography apparatus sees (here by the term photography apparatus we mean its common iterations, such as film cameras, medium format cameras, DSLR cameras, mirrorless cameras, bridge cameras, compact digital cameras, smartphone cameras, action cameras, etc.). I can be shown an image of…

The Sleeplessness of Insanity Produces Time

Photographic realism does not capture all nouns. Not all nouns are nouns. The object, that is the something that is thrown in front of one, is the noun proper. When language fails, the Subject is subjected to, thrown under, a Subject, which is subjected to, thrown under, the Subject – which is subjected; thrown under.…

The Investiture of that Name

Paintings are atemporal; a painting can be painted at any time. History is the history of the photograph. History, then, is the history of colour. Following Runge, white and black are to be treated as colours and not as transparencies. Colour is colourful but must still appear to appear as such. Following Heraclitus very loosely,…

Speciously Valid

Science defines a photograph. All science does is define a photograph. To dissect, to analyse, to investigate, to examine, to inspect, to study… actions all done in order to check whether reality is real, whether reality persists. What then, we should ask, is the difference between these actions and the act of remembering? Is there…

Andromeda

The photographic is the illusion of depth. Depth conveys to any image the illusion of the real. Depth extends into motion, which are both ultimately conventions that retain their respective dynamics through the simple positioning of body (or image of body) within the more global image we call the world. If this triad, depth, motion,…

Omega

The filmic is the illusion of the photographic. The filmic actuates the illusion of the photographic through motion. Thus the world is reduced to a static image commonly known as a photograph. Hearing, smelling, tasting and touch are then mental images emanating from other mental images, namely, singularly, the world. Embodiment does not successfully contradict…

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